![]() Musgraves’ other touring highlights from that year included sold-out, two-night runs at New York’s Radio City Music Hall and Los Angeles’ Greek Theatre, which grossed $873,314 and $803,908, respectively. Her fall tour concluded with her first arena play, at Nashville’s Bridgestone Arena the sold-out date grossed $1.12 million and stands as the Grammy-winning artist’s highest-grossing performance to date. 96 on Pollstar‘s North American touring chart with $11.9 million grossed. Last week, Musgraves announced star-crossed, the follow-up to her 2018 album Golden Hour, which won the Grammy Award for Album of the Year in 2019. Tickets go on sale to the general public on Sept. 20.ĪEG Presents is promoting the tour, which will be supported by King Princess and MUNA. Musgraves will conclude her early 2022 touring at Los Angeles’ STAPLES Center on Feb. 26), New York City’s Madison Square Garden (Feb. 20), Philadelphia’s Wells Fargo Center (Jan. 19, before continuing on to stops including Chicago’s United Center (Jan. The short trek begins at Xcel Energy Center in Saint Paul, Minn., on Jan. Kacey Musgraves will hit the road in January and February for “star-crossed: unveiled,” an arena tour that will wind its way through 15 major North American arenas. Kacey Musgraves performs at Nashville’s Bridgestone Arena in October 2019. ![]() Touring may not be in my forever future.Jason Kempin / Getty Images – Arena Ready ![]() What gives me the most pride and happiness is the creation and the writing, the shaping the vision. you’re physically uprooting yourself mentally and emotionally, routinely, to basically, like, peddle your music, which is a crazy thought. But you can also be an introvert, you know? And as I get older, I feel like I am more introverted.Ī large part of me struggles with that. Once again, in terms of duality, you can be a performer and step on stage in front of 4,000 people and be comfortable with it. One thing that people would probably be surprised about me is that I’m actually pretty shy. What’s the biggest misconception about you or your music? And I think a lot of people may not realize the amount of work that goes into a show like this, especially when you’re out of practice. I think that would be really fun.īut stepping into an arena, after a couple of years of not doing it … I would be lying if I said that there wasn’t some anxiety attached to that and some self-doubt, like, “Am I good enough for this? Can we pull this off?” You worked so hard to see a vision come to fruition, but you almost kill yourself doing it. I really love producing, and I think that goes back to the days where I was super-young and on a shoestring budget, having to create my own demos and then try to hone in on a sound, you know? I found a lot of joy in expressing myself that way, so I think it would be really fulfilling and rewarding to produce an artist that has really great songs and to be able to cohesively work with them. What would you like to try in the future, career-wise, that you haven’t done yet? But I just try to be mindful that I’m not using anything as a crutch, or that I’m not a slave to anything, and that can be caffeine or whatever. But I think maybe as I’ve gotten busier, as I’ve gotten older, I find it to be a little bit more anxiety-inducing than I would like. There was a time when it really did serve me well. To be honest, I don’t really partake in marijuana much anymore. I studied with a tutor for a handful of years, and I’m inspired to maybe try to learn and create a song in Spanish at some point.ĭoes weed help your creativity? Does it help you deal with stress? The language is beautiful, but when you translate it into English, the poeticism is largely lost. When you played in Deep Ellum in 2019, you covered a Selena song (“Como La Flor”). You seem to have a real affinity for Latin music. One minute it’s classical Spanish guitar, and the next it’s Peruvian shaman chants, and India.Arie, and “Gracias a la Vida,” the song in Spanish that I made the bookend of Star-Crossed. I was also listening to a lot of Vivaldi and the Johns Hopkins Psilocybin Playlist, which is wonderful. ![]() Star-Crossed is just a huge patchwork quilt of all these influences that I am inspired by … late ‘90s/early 2000s pop like the Avalanches, and then bands like America, the Eagles and Neil Young. I could have made Golden Hour again, but I definitely wouldn’t respect myself as a creator for doing that, and I think true music fans wouldn’t respect that either, you know? The real mark of something authentic is something that feels like a risk, instead of making the same thing over and over.
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